A fully staged performance of Franz Schubert's Winterreise, which tells the story of a man who becomes isolated from his community, and through that isolation experiences a mental health crisis. This production examines these themes through the contemporary lens of homelessness and will include post-show panel discussions with the artists, a psychologist, and former patients of Healthcare for the Homeless who have overcome homelessness and now help others to do the same.

This performance is in German with English supertitles.

MONDAY, APRIL 27 & TUESDAY, APRIL 28

7:00 PM
Curtain

MATCHBOX 1

RUNTIME:
1 hour 30 minutes with 1 intermission

Panel Discussion to Follow

TICKETS:
General Admission Seating
$35 Regular

All proceeds go to Healthcare for the Homeless Houston to help provide essential care to the most vulnerable members of our community.
Visit Healthcare for the Homeless Houston to learn more about Healthcare for the Homeless Houston.

PLEASE NOTES:

NO LATE SEATING

Each ticket is subject to a $5 box office support fee at checkout.

This performance is in German with English supertitles.

This event is recommended for ages 13+; parental discretion is advised.

ABOUT THE ARTISTS:

Jonathan Bryan: Hailing from Dallas, Texas, Jonathan Bryan has been praised for his “beautifully resonant baritone” and “substantial sound,” and has performed leading roles on stages throughout the United States and abroad. Recent highlights include Silvio in I Pagliacci with Piedmont Opera, Curly in Pensacola Opera’s production of Oklahoma!, and Ravenal in New Orleans Opera’s concert presentation of Show Boat. Upcoming performances include Edward Rutledge in Utah Festival Opera’s production of 1776, Eisenstein in Die Fledermaus with Inland Northwest Opera, Lt. Gordon in The Atlanta Opera’s Silent Night, and Bass Soloist in Handel’s Messiah with The Phoenix Symphony. Other roles include the title role of Don Giovanni, Beaumarchais (The Ghosts of Versailles), Guglielmo and Don Alfonso (Così fan tutte), Count Almaviva (Le nozze di Figaro), Sharpless (Madama Butterfly), and Joseph De Rocher (Dead Man Walking). Mr. Bryan has performed with some of America’s most celebrated arts institutions, including Washington National Opera, The National Symphony Orchestra, The Glimmerglass Festival, Wolf Trap Opera, Arizona Opera, and many more. He is a member of The Metropolitan Opera’s 2025-2026 artist roster.

Lyndsi Maus: Lyndsi Maus is an award-winning collaborative pianist who specializes in Lieder and working with singers. She holds a master’s degree in Piano Performance from the University of Cincinnati College-Conservatory of Music as well as a master’s degree in Klavier Vokalbegleitung from the Kunst Universität Graz where she was a student of acclaimed British pianist, Julius Drake. She was the recipient of the Pianist Prize in the 2016 International Brahms Competition in Pörtschach, Austria and in the same year, the Outstanding Lieder Pianist Prize at the American Institute of Musical Studies (AIMS) in Graz, Austria. From 2019-2021 she was a member of the Internationales Opernstudio at Staatstheater Nürnberg. For the 2021-2022 season, she joined the team at Theater Regensburg as a full-time répétiteur. After seven years in Europe, she moved back to the United States in 2022 to join the faculty at Rice University Shepherd School of Music as an Artist Teacher of Opera Studies. In addition to opera coaching, she teaches the graduate level course on Song Literature and continues to concertize. She has a particular interest in contemporary music, especially that which can spark important conversations. For example, she played for the world premiere of Anton Lubchenko’s opera Mui, which tells the story of a dystopian society where government controls every aspect of life and people lose all sense of identity. In 2023, she played the SongFest premiere of Shawn Okpebholo’s Songs in Flight, a song cycle inspired by the database "Freedom on the Move” which has compiled over 30,000 ads that were run in the 1800’s to track down runaway slaves. In 2025, she worked with tenor Kellan Dunlap to program and tour the recital "Even the Trees Weep" featuring American art song and a newly commissioned song cycle by Victor Cui to give a voice to those tragically lost in school shootings and to generate conversations around this topic. She also serves as the inaugural Artistic Consultant for Stratagem Artists, advising the roster on audition and recital repertoire, as well as collaborating with them from the piano on various projects.

PLAN YOUR VISIT TO MATCH

🎟️ BOX OFFICE & TICKETING 

• Online sales end 30 minutes prior to curtain. After this time, tickets may be available in person at the MATCH Box Office. 
• The Box Office opens 2 hours prior to curtain for Will Call and walk-up sales. 
• All sales are final. No refunds or cancellations after purchase. 
• Why is there a Box Office Support fee per ticket? Click here to learn more. 
• **Standby/Waiting List: If the performance that you are hoping to attend is SOLD OUT, please CLICK HERE for information on our Standby/Waiting list.

⏱️ BEFORE THE SHOW 

• MATCH Concessions opens 1 hour prior to the start of each event. 
  Enjoy a cocktail, wine, beer, or snack before the show. 
  View concessions menu. 
• Seating typically opens 30 minutes prior to curtain. 
• There is NO LATE SEATING at this performance. Please plan to arrive early!

🚗 LOCATION & PARKING: MATCH is located in Midtown Houston. Click here for directions and parking options, including garages and metered street parking.

🍽️ RESTAURANTS & BARS: Make it a night out! Click here for a curated list of nearby restaurants and bars within walking distance of MATCH.

♿ ACCESSIBILITY: MATCH is a fully accessible facility. For accessible seating or special assistance, please contact the box office in advance so we can help accommodate your needs. Click here to email the box office.