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La importancia de llamarse Ernesto

Lionwoman Celebrates Houston Theater Artist
with free reading from poet and designer, Dedgar Guajardo!

As part of its mission to promote visibility for local Houston artists, Lionwoman Productions TX is proud to host a free reading of Edgar Guajardo's work in progress, La importancia de llamarse Ernesto. Written in Spanish and English, this celebration of the classic comedy by Oscar Wilde, The Importance of Being Earnest, is being re-invisioned as an exploration of Mexico City culture and social class. We are excited to share yet another facet of this multi-talented and sought-after artist, whose work has been featured at Houston theaters, including Lionwoman Productions, TX, Dirt Dogs Theatre, Classical Repertory Theatre, Mildred's Umbrella, Main Street Theater, and others. Join us for an easy evening of light entertainment. Refreshments provided by Escalente's Houston (Woodway)!Read more

Mind the Gap XXXVI

Dance Source Houston

Mind the Gap XXXVI

An evening of dance by local choreographers Eli Bivens, Brian Buck, Shayla Martin, Nicole McNeil, Adele Nickel, Jennifer Slater, Jamie Williams, and Lori Yuill

DON'T MISS THE SHOW!!
In Person/Livestream/VOD all available.

Dance Source Houston is excited to present the 36th edition of Mind The Gap on September 9, 2025. Local choreographers Eli Bivens, Brian Buck, Shayla Martin, Nicole McNeil, Adele Nickel, Jennifer Slater, Jamie Williams, and Lori Yuill will all present works. The program will feature a range of dance forms, including contemporary, house, and modern. Read more

Tamarie's Greatest Hits, Volume 3

The Catastrophic Theatre

Tamarie's Greatest Hits, Volume 3

By Tamarie Cooper & Patrick Reynolds; Directed and Choreographed by Tamarie Cooper

WORLD PREMIERE

“TAMALALIA FOREVER!”

As every good Houstonian knows, Tamarie Cooper creates another in a series of wholly original, full-scale musicals every summer—a Houston institution with a cult following—featuring wildly irreverent scripts, riotously funny songs, wackadoodle dances, spectacular sets, large casts of quadruple-threat performers, a small but mighty band, and of course Houston’s own Carol Burnett, Lucille Ball, and Bugs Bunny rolled into one, the undefeated champion of ass-clownery, Tamarie Cooper, co-star Kyle Sturdivant forever at her side, chewing up all her expensive scenery.Read more

The Designated Mourner

There is, perhaps, no piece of theatre that better reflects the present moment than The Designated Mourner, a fiercely political, deeply personal play concerning class, identity, culture, and enemies. This will be Catastrophic’s third production of Shawn’s masterwork, a late addition to our season as was our second in January 2017. The times called for it then, they cry for it now.

Through a series of monologues and short scenes, three characters walk us through a labyrinthine tale spanning the years before, during, and after a populist uprising in an unnamed country, now teetering on the edge of authoritarianism, whose government has targeted the cultural intelligentsia for imprisonment and execution. As the story unwinds, it plumbs the depths of love, contempt, privilege, enemies, beauty, envy, “the self,” and what, if anything, we are willing to sacrifice for the things we believe.Read more

Katy Perry Candy Darling Mary Magdalene

The Catastrophic Theatre

Katy Perry Candy Darling Mary Magdalene

By Joe Folladori with Songs by Joe Folladori; Directed by Tamarie Cooper; Music Direction by Alli Villines

WORLD PREMIERE

“What about all the in-betweens?” 

Rock-and-roll was invented by corporations to sell cars and sex to teenagers. Indie rock was invented by teenagers who weren’t into cars or sex. Pop music is a CIA plot, like MK Ultra or Abstract Expressionism. Gender is a pyramid scheme; religion is a performance. Texas is both a gender and a religion. 

How about you? What’s your whole deal? You sure about that? 

A punk elitist attempts to sell his band on a rock opera he wrote about meeting his favorite pop star. But first he has to explain why he has a favorite pop star, why it’s Katy Perry, why he wrote a rock opera about it, and how it all ties into his new look, most succinctly described as “she.” Directed by Tamarie Cooper. (World premiere.)Read more

Endgame

The Catastrophic Theatre

Endgame

by Samuel Beckett; directed by Jason Nodler

The earth is barren. The sea stands still. There is less and less of anything here. In the shelter, blind despot Hamm (who can’t stand up) lords over his weary attendant Clov (who can’t sit down), each dependent on the other. Hamm’s legless parents Nagg and Nell slowly expire in adjacent trash bins, confined there by their son. Day after punishing day, Hamm steers Clov through a series of senseless, circular routines in impotent defiance of a predetermined outcome. With each reminder of the death that awaits him outside, Clov inches nearer to the exit. 

Nobody does tragicomedy like Samuel Beckett. A central line from the play, “Nothing is funnier than unhappiness,” practically defines the genre. Director Jason Nodler and Greg Dean (Hamm) revisit their roles from Catastrophic’s 1995 and 2012 productions. Luis Galindo (Clov), Jeff Miller (Nagg), and Julia Oppenheim (Nell) round out the cast.

Catastrophic Theatre’s stark, unflinching production of Samuel Beckett’s Endgame demonstrates exactly why this company and its artistic director Jason Nodler are so important to the city’s cultural life.” – Houston ChronicleRead more

Lecture with Megan Kimble

Houston Design Collaborative is pleased to host a book signing and lecture by Megan Kimble, author of City Limits: Infrastructure, Inequality, and the Future of America’s Highways. “With propulsive storytelling and ground-level reporting, City Limits exposes the enormous social and environmental costs wrought by our allegiance to a life of increasing speed and dispersion, and brings to light the people who are fighting for a more sustainable, more connected future.”Read more

Midnight High: A Night at the Oxhead

Forget everything you know about traditional theater. Here, you're not just watching a story; you're a part of it. 

Midnight High: A Night at the Oxhead tells a story about the intersection of power and desire for belonging through a western and science-fiction lens. As an immersive show, you will have full agency to explore the set. Every ticket is a premium ticket; every experience is a premium experience, and no two patrons will experience it in the same way.

As you wander through the meticulously crafted Saloon, you'll meet otherworldly characters, each with their own secrets and desires. Engage with them, and you might just uncover the mysteries that bind this town together.

Your journey will be a walking one, so we recommend you wear comfortable shoes as you explore the Saloon. While you're here, you can also enjoy complimentary drinks provided by our sponsors, Milam & Greene Whiskey and St. Arnold Brewing Company (21+).

Midnight High is not just a play; it’s a living world. And we welcome you to join us for A Night at the Oxhead.Read more

LOS INOCENTES

GV&A Productions LLC

LOS INOCENTES

Un encuentro inolvidable entre cuerdas, voz y alma

¡Vive las tradiciones decembrinas con ritmo, cuerdas y sabor latinoamericano!

Este 28 de diciembre en el Matchbox 4, el maestro del cuatro venezolano Jorge Glem, la energía de Elvis Martínez en el contrabajo y la pasión de Juan Pablo Romero en la percusión, se unen a unos invitados súper especiales: la voz encantadora de Ivis Sequera, la magia en la flauta de Manuel Rojas y el virtuosismo del violín de Eddy Marcano.

Un espectáculo lleno de tradición, música popular y alegría contagiosa, donde la música cruza fronteras y enciende sonrisas.

Una sola noche. Una sola oportunidad. ¡No te lo pierdas!Read more

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