As part of its celebration of 30 years' service to Houston arts, Samskriti presents the Jiva Dance Company, NY in The Four Horsemen, a highly innovative Indian Classical dance production exploring symbolism from the story of the Apocalypse through Indian classical dance, music, and Sanskrit poetry. The work centers around four vignettes of life and death through four female protagonists who stand for universal human experience. The stories - a woman shackled to the life of a courtesan (conquest), a woman reminiscing the night she spent with her lover who is at war (war), a mother searching for nourishment for her child in the midst a sandstorm (famine), and finally a woman at the end of her life recalling memories that span youthful joy to hardship and loss (death) - are touchingly timely. Perhaps the apocalypse does not merely occur at a finite point in time when the world/time ends. Perhaps, we as humans live are living in the world marred by endless wars power plays, lust for power and control, and amidst nature who gas unleashed her fury on us for our ignorance. Is this not our apocalypse? Can there be hope to get past these struggles? Read more

Prayer, UST's Spring Dance Concert for 2025, will feature choreography by both UST Dance faculty, students, and guest artists/companies in the Houston area. Choreographers and companies featured will include Ad Deum Dance Company, Ad Deum Dance Mentorship Program, Deeper than Dance, Maria McCain (Director of UST Dance), and Aly Rose (NYU Dance). We are also thrilled to have BA Dance senior, Cassidy Woodcock present her capstone work.Read more

City Ballet of Houston presents an emerging choreographers concert of new works by student choreographers.Read more

Ethnography of Afro-Venezuelan Music is a multidisciplinary educational conference that explores the expression of the rich cultural traditions of African culture and European religious practices in Venezuela, particularly focusing on how music serves as a medium for spiritual, social, and cultural expression. It differentiates Afro-Venezuelan music from the broader Afro-Latin music scene in social and religious terms and disseminates the elements that converge in the sociohistorical construction of the Afro-Venezuelan vision and its impact on the Venezuelan colonial context. 

The project, which includes videos, music, and dance, aims to strengthen ties between African American and Venezuelan communities and promote a dynamic cultural exchange. This educational-cultural activity is free for the general public. 

Ethnography of Afro-Venezuelan Music is funded in part by the City of Houston through Houston Arts Alliance. Read more